Transmutations aims to be a personal artistic exploration of the concept of metals transmutation, as we know it from alchemy. The myths and the symbols of alchemy have been mainly correlated with the purification of metals, following the principle of "Solve et Coagula" (dissolve and make solid). The simbolism of every alchemical transformation was conceived so that human beings, which are part of nature, proposing theirselves as ordinators of the time of the natural development, could help the nature to accelerate the times of evolution from the celestial infuences. So the musician, transforming the imperfect sound material 'Prima materia', obtains, with refinings and successive trasmutations, pure sounds, in tune with universe and nature.
In 'Transmutations' The musical material is crushed, pulverized, fused, expanded, transformed by means of a software that concurs to focus the listening on grains and acoustic particles in real time. Transmutations is a chance in order to open itself to listening, in order to experiment on ourselves, through the sound, the transmutation of metals, from imperfect (Pb 82) to pure (Au 79).
The number 7 is central in Transmutations, all durations are multiples of 7, the complete work consists of 7 pieces, 7 minutes each. In 'Transmutations', the author has operated not like an architect who builds on solid foundations his work but like an alchemist, subjecting the imperfect raw materials to procedures of transformation like expansion, stretching, granularization, filtering, in such a way to fuse, to liquefy the sound.
Such material has been then reassembled by means of compositional algorithms in such way to leave that the sound happens, the sound compose itself.
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