There are moments in your life when something changes as you hear and become aware of the sounds around you. Why do the sounds that cups and chairs make feel so distant? It seems that 'I' as an existence won't be forgiven for being my ordinary self. The meaningless noise that reverberates in the living room opens up the possibility of connecting beyond the horizon... Then, I become alone and say goodbye to the 'Me that was pretending to be like me'.
By assimilating these everyday sounds I get away from the everyday me and get closer, little by little, to the universe of 'eternity and nothingness'. At this point – meaning the moment I change – I enter a personal time and space which could never be shared with others.
During the 2 years spent on this project I used an instrument made with rubber bands and nails to document my daily involvement with sounds. There exist various faces of 'me' and through the process of recording I became aware of the concept of 'beyond the window' and got lost in this vague daily space.
What could you see beyond the window? The whole universe and at the same time the usual me living my daily, ordinary life.

Boca Raton is the ongoing musical project started by Martijn Tellinga (1974, Amsterdam, Netherlands) in 1999. It hovers at the edges of synthesized and concrete-acoustic soundworlds. By using elements of both worlds, its musical form shows the integration and co-existence of natural - unensembled - sound and its artificially created reflection. More than relying on melody, harmony and rhythm, these soundworks are constructed from the fundamental building blocks of music: texture,volume and time-elapse. A composition is made by arranging and re-arranging elements, large and small, by magnifying their characteristics, and by emphasizing the intrinsic value of the material.